National Repository of Grey Literature 3 records found  Search took 0.03 seconds. 
Vittorio Storaro: How to maintain artistic style in digital cinematography
Kerimoglu, Kagan ; SMUTNÝ, Vladimír (advisor) ; ŠOFR, Jaromír (referee)
This thesis explores how a cinematographer can reflect his/her own style in the
Light like a dramatic expression tool in cinematography
Pavelek, Tomáš ; ŠPELDA, Josef (advisor) ; MACÁK, Jiří (referee)
This thesis focuses on the importance of light as one of the main aspects of filmmaking and as a main tool for creation of atmosphere in cinematography. I mention some expressive cinematographer's styles in the history of cinematography and how different the work with light was in the context of the era. I focus on realistic and logical way of work with light and on technical and technological cinematographer's tools which enable this work and help him to create the light atmospheres and support the script to be perfectly visually translated.
Means of expression and color solutions Vittorio Storaro movies
Beneš, Marcel ; ŠOFR, Jaromír (advisor) ; KOBLOVSKÝ, Petr (referee)
In this thesis I focused on professional life and creative work of Italian cinematographer Vittorio Storaro. His lifelong journey as the creator of the image, understanding the energy of colors and color shades, light and shadow, their essential meaning and harmony in his works. Through these two major means of expression in film he tries to represent the emotions and the spirits of the characters in the story.

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